Marginalia #34

I walk to the desk to revisit a half-written piece, and it is written partially because I slept while writing it, reminding myself once again that working from the bed, no matter what kind of work it is, comes with a sense of indolence. I must avoid it today. And since I have forced myself to get out of bed on time—with no merit because the afternoon is here and I have accomplished sparingly little—I shall try to avoid this before it becomes a habit. All writing must happen when the light is still out. At least in cities and towns that are colder. And I shall remember this for my entire life. This is how it has to be if I have to get these words in and some pages filled. To get in bed with any intention other than that of sleep is playing right into the trap of fate. Before you know it, you open your eyes to the soft, beige light filtered through the curtains, and the words remain incomplete and even unwritten at times. But now, I shall complete it all for writing—the act of putting words down—and writing—the act of taking a thought and turning it into meaning—are two separate activities and can happen asynchronously. But the latter must happen first. The act of jotting it all down can wait. At least, this is how I have always looked at it. And perhaps this is my excuse for the days and nights I spend without writing, that it is the former, that it is merely pushing on buttons that remains, that the work is mostly done.

Marginalia #33

Coming back to the hometown has caused a stir in my willingness to do things, as I was doing them just a day before I arrived. Perhaps, owing to the fact that the weather is not helpful in the least. It is cold and dry and drab, and no matter how many clothes you stack onto your person, there is no respite towards the end of the day. You realise a breeze caught you at some point—and often you can place it with the accuracy of an astute detective for when it must have happened and how—and now you must lay and rest. Most of the last few days have been either this or worrying about the new apartment, things that remain undone, trinkets and furniture that remain unbought, deliveries that are pending, and cleaning that never ends. There was also an invasion by some ants practising the most subtle guerrilla warfare, but I reckon that was a minor episode and was thwarted by sealing the hole they had been using as an inlet into enemy territory. But yes, it has been different and distracting enough that I find myself in a fix yet again. And this is where my want for constance, for rigidity, comes into the picture again. Oh, how I would love a life with little change—the same home, the same places to visit, the same days to live. To many, it might sound like imprisonment, but to me, that is true freedom. To be unbothered by the other frivolities of the day and life, to be left alone to think, to read, to not have to worry about invitations, to have the stubbornness take such a hold on you that you simply reply “no” to all mail and messages, and not be bothered to give a reason. And when asked for one, you simply tell them that you are too busy, not lying, of course, but playing coy with the interpretation that busyness might look different for all of us, and for some of us, it is the blank nothingness to simply be.

Marginalia #32

February. It did not occur to me that it was here until I met a friend back in the hometown and took a walk, crossing streets one after the other as the dry winter air brushed my face. How time passes, how it has changed so much, and yet, I cross through them in the exact same manner as I have for years. A sort of afterimage follows me in my head; I trace its steps; it traces mine. My entire life happens all at once, and I realise that this town has many such phantasms of myself, and they are only visible to me, only recognised by me. Yet, they are there, for I run into them time and again. Many of them come from Februaries left far behind in the river of time, floating along with the debris of memory.

I crossed a street that got me closer to home, to the neighbourhood I grew up in. And I walked over the painted street—yellow and black stripes—and I wondered when they changed it. I remember the yellow used to be white. Perhaps someone ran out of white, and then the others never questioned it. But this is how things change. I heard a story once about a person who painted a pier wrong, and the people just carried it into tradition, making it the only yellow pier in the country. I do not remember the specifics. I thought about it as I glided over the empty street. And then, the breeze blew by and kissed me into nostalgia. I remembered suddenly that I was a child once and that this street was out of bounds and that getting here was once an achievement, a milestone of sorts. I wonder what month that was. Perhaps, it was February. We lose track of time so quickly.

Marginalia #31

I enter the apartment and lay my suitcases down with a thud. It echoes, reminding me yet again that a lot of work must be done before this feels like a home. And then, I remind myself, it always takes work. I have done it before, I can do it again; the good thing is only, I will only have to do it one last time. This is home, for all intents and purposes, and there could not be a better one for when I stand by the window, the entire city appears to be right in my reach, and when I say the entire city, I mean the trees, the hills, the many leftover patches of green and brown that, I hope, shall not leave our collective sights. But, we can only hope. For every new apartment, like the one I live in now, a little bit of the city goes out, and it is nothing but irony to wish for one while wanting the other, and, I reckon, somewhat selfish and flawed. But then again, we are flawed creatures, are we not? I walk around the apartment. A hushed echo trails my steps and follows me furtively. That no one lives here is apparent within the first few seconds. That no one has cooked here, or gotten dressed on a day that continued to slip through their fingers, that it has not seen laughter or pain or extended days of nothingness yet, that no wine has stained the couch accidentally, that life has not happened here yet. But it will. It is, like all things, just a matter of time.

Marginalia #30

There are as many people in the world as there are minutes in the time the sun’s light reaches them, and there are as many agendas in the world as there are people. And I would assume I too would have one, if looked from the outside in, but from inside out, I believe my agenda, if there was any, is about as literal as the word could be in that I have a few things on it today: sipping coffee, doing my crossword, packing my suitcase, working and writing, some other day-to-day oddities, a little meditation if time allows. And my hope from myself, from this day, is that all of that is done and dusted before the night sets in. My life and, by extension, I, are simple that way. The rest may be little displays of annoyance, such as wanting no vehicles parked boldly and with abject stupidity on the sidewalk so I can use it for its intended purpose, but that, and other little things like those, are but provocations and responses to the world. Often, I keep a tight lip and keep it to myself, and they spill out only in the presence of those I trust would not keep it in some sort of tally or record either because there is some sort of mutual respect and love between us, or when I am certain they could not keep a tally or record of the greatest truths even if they wished! But all that said, I float aimlessly. I do not want to spin the world a certain way. I want to go wherever it takes me. I am sure people have their reasons, and I am sure all of them are justified, and I am sure people far more educated, far more capable than me are put in charge of the world or in charge of where it will go next or where it ought to go next. I trust them to do their job well so long as they do not bother me while I sip my coffee quietly in the corner. I was never of this world, only from it. If the world itself holds no candle to me and my attention, then how, I wonder, do religion or country or other arbitrary taxonomies fare? I stand for nothing. I simply stand to take the sun in. I go about yet another day.

Marginalia #29

Why did I bother beginning to write again? I asked myself this last week, and my simple answer was that it is necessary. It is necessary, perhaps, more than food, for as per my estimate, I only had about fifteen hundred calories to eat today, and that is far fewer than what is deemed necessary by a large margin. It is, therefore, more necessary for me to write than many other things. Spilling these words here, in a jiffy sometimes, and spanning hours on others, is what brings me back to being a person. My putting words down makes me somewhat tolerable to others around me, and I often think—for instance, when caught in the middle of an argument about taxes with a friend I have not talked to in a while, enough to doubt my usage of the word ‘friend’ and think whether I should have used ‘acquaintance’ instead—whether my words and how I carried my position would have been softened if I had written for the day by then. Naturally, I don’t have any answer to this, for we only live through every moment once. But I write so I do not think over it later. I write so I can vomit all of this out, this catharsis of chaos spat onto a page, so it is somewhat easier for me to be in a room with others, so it is somewhat easier for me to enquire about a stranger’s day, and not for the formality of small talk but to know genuinely how they fared. I believe it is all there is to it. Why did I bother beginning to write again? To not become a bother; that is all.

Unbound #1: Industry

Why do anything except for the natural curiosity that led you to it? We live in a world where wanting to smell a rose must, in turn, lead to something. That it leads to something is irrelevant and often just luck; that anything ever leads to something happens all on its own. We must focus on smelling the rose, but first, we must focus on stopping to do it.

Lately, I have sat in a cafe where some seats are labelled to not be worked from, to sit and merely enjoy the food, the conversation; to do it, perhaps, to just do it. But every day when the crowd hits the tipping point, those tables are occupied en masse by those who have an important meeting to attend. There is an air of soft despondence when this happens, for all the so-called work is simply a struggle to meet the whims of a manager or some deadline that does not truly exist but was made to churn out as much life as possible from a person. And now, I often eavesdrop on the things that they say, as disheartening as it may be, and it is, indeed, disheartening. Entire lives wasted by the day, pasta gone cold, and coffee not savoured. All for the constant nag of corporate’s newest plans, their greatest pivots, their radical vision, and all of it, in turn, is so uninspiring and impotent. The need to work, the need to put food on the table, is not washed over me, no. I understand, perhaps better than many, if not most, the trouble we must go through to do it. But then, if the food is on the table, it might also merit enjoying it properly before we go back to work; it might make sense to sip the coffee before it gets cold. And to work, to work for hours, I reckon, to learn and keep learning, but to remember to do it without the added known consequence of it. To meet others simply to meet others. To take a walk simply to take a walk. To live simply to live. The burden of consequence is not ours to bear. It was thrust onto us by polluted books and misinterpreted industry—a word whose meaning has been lost to time, to colloquialism. What simply meant hard work now becomes a spokesperson for everything that is absurd. Perhaps that is what happens when words are claimed by trifolds handed on days of orientation. Their true meaning falls behind.

“This is how it happens in this industry.”
“What industry?”

Marginalia #28

I lie in the bed to sit and write, but all that comes to my mind are small, rebellious distractions or yawns, large and small. At first, this bothers me and annoys me a little: that I have little to say. But then, I think of how generous the day has been to me, that I feel the soreness in my legs, that I feel the heaviness in my eyes, that my mind has wandered more times than I would like to admit since I began writing this passage are all but proof that I was alive today. I lie here, fretting over the severe lack of profundity in my words today—or lately. But I have been diagnosed with a case of simpler days and, I would perhaps dare to say it, contentment. There is no cure. I am now forever infected. What shall I do, I wonder? Not much, not much indeed. I shall hope these days stretch like the spanning steppes I saw on my journey to and fro last year, going between cities I may never visit again—sprawling and unending. I hope, with all my heart, that this is the case. I believe I dare when I say this in front of others at the off chance of getting ridiculed, have myself painted into a caricature, pronounced the village idiot, but I say it anyway, that I would prefer to do the dishes and the infinite chores in life than anything else. That if it were up to me, I would wake up and eat and live like a person was meant to live, and sleep early and see the sun’s first light in the morning the next day. And what do I suggest when I say living? To not believe in the many carrots they toss in front of us so we keep moving. Instead, make things for the betterment of all, and if all is too large a group, then for those right next to us. And pay no matter to what we make: it could be a painting or even a chair. But to do it with the aliveness of being a person, and not simply for a profit or to serve the needs of some mogul we will never meet, or chasing a bottom line for others, put simply. And I think that doing the dishes and the other chores that lead or follow are the closest to this dream; I reckon that is why I enjoy them as much as I do. It is the only time I am useful unconditionally. And if it is not for anyone else, then, at least, for myself. Now, that holds merit. At least, I would think and say so.

Perfectly Round Eggs On A Saturday Afternoon

Saturday. I shut my alarm off and wait for a little while. You tell me in your beautiful grogginess that it is time to wake up. I tell you I will be up in a few minutes. This is untrue. I turn and snuggle into your arms. There is no protest; you hold me instead. I sleep for another half an hour until I do get up. I let you sleep for a little bit, but then you come into the room and exclaim, “You’re sitting here!? I thought you were in the washroom.” “I got up and came here.” I say while taking a sip of my coffee, facing a partially solved crossword, to which you say, “I had to use it! I was waiting!”. “Well, use it, then come back to me.”

“I love you,” I smile.

“I love you, too.”

Then, you unfurl the mat in the hall and stretch a little in your gym clothes right in front of me. I take an extra ten minutes solving the crossword. And then, you go out for chores. I order the groceries in. I nap while trying to meditate—for a few minutes until I realise it is time to begin the day. I get ready. You get back, having picked the groceries up from the gate. Then, you get ready, too.

Then, we waste a little bit of time waiting for laundry to finish its buzzing and humming. I take care of the bills—the rent, the credit card, the savings, and the rest—and I plan a little about the rest of the day. Then, the washing machine beeps, and I spread the sheets and covers on the drying stand. I come back in, walk to the kitchen, and unpack the new mould to fry some eggs. I brush it with oil and begin. You stand beside me, watching intently like a curious child. The pan sizzles with each one I drop into the round ring on the pan. I cook them one at a time; I cook two for you. Then, I cook two for me, too.

“What is left to do today?” You ask me, as we lay in bed.

“Nothing. We have the whole day to us.”

“Will you go to the lake with me?”

“Of course, we’ll walk around it.”

“I love you.”

“I love you, too.”

Marginalia #27

The steam from the hot coffee, which had been sitting, waiting for me in the pot when I woke up, escaped out the window as if it were jailed for an eternity, saw a chance for freedom, and scurried away. But then, it makes me think if being imprisoned for a time as long as that would snatch the want of freedom itself. Either way, the sip was warm and delicious, a hug to begin a wonderful day, metaphors aside. And then, I began the day, which in this humble life plainly means that I sat comfortably on the couch, both my legs on the table, stretched in remarkable comfort, doing nothing. Then, I sat for a little while longer and kept sipping in intervals. Then, some birds cooed outside, and I realised time was going by, so I got up and got to writing.

It surprises me that up until a few days ago, I was wound like a spring in a convoluted contraption, and it would have eaten me alive this year again had I let things be as they were and not made a decision. The decision, of course, was to not pursue grandiose achievement and instead sit and write and to protect my time, to not be running across halls of strange hotels with a lanyard bumbling on my chest, to not be stuck at airport after airport, to not be caught in the margins of error of systems of weather and people alike, to not recite elevator pitches about things I did not make, and to not rush—at all. And it makes me think once again about the furtive steam that escaped through the window. And I thought about how it might be that the want for freedom is more important than the act of escaping, that I must protect the want, that the escaping will happen of its own volition, so long as the want remains.

Marginalia #26

After a long day of toil and work, and a little bit of wastefulness, we lie in bed and laugh at nothing. The moment turns into a battle of who can tickle whom, and I think, right in that moment, of how much love there is in this life. Then, terrified, I suggest a pact to end today’s battle—a ceasefire. Hands are shook, cementing it, and very carefully I get up and begin writing. She reads a book and takes a peek now and then to check if I am done. She will be the first to read these words. And now, I feel clever for this, and I reckon, somewhat proud of the meta nature of this piece. Laughing on the inside still, I give myself some credit and smile a little. Then, I realise that the melatonin strip has begun to work its magic, and I blink my eyes twice to keep the cadence of these words up. I believe I live through the day for this, so I can spend it laughing with her. Sure, we have our share of silent nights for reasons as many as there are apartments in this city. But tonight is different. Tonight is a night of playfulness, of levity. Levity. There is a word I have not used in a while now. How frantically I pursued it once. And look at this day now; look at this life now.

It has been a day of plenitude; there was an ample supply of everything. I am fortunate for days like these. I am no stranger to days that are only one colour. But now, despite my preference for certain shades, and I admit the jokes my friends make over my decor and wardrobe are not unfounded, I would much rather have all of them than one of them. And this includes joy. That is the thing about colour. It is not what it is but what is beside a shade that matters more. Well, colour me surprised then: what a beautiful picture this scene in front of my eyes makes!

Marginalia #25

Walked to the refrigerator to get some water but saw a bottle of wine and could not resist. Took it out and poured a glass and sat with some music playing. Kept the bottle near the couch in case there was a need to top it up. The sun seems to have tucked itself into a good night’s sleep already. The moment, I suppose, passed me by when my nose was deep into work that matters to a degree. Thought to take a stroll but gave up on the idea remembering how I slept for only a ballpark of about three hours. I ought to not be this stressed. I reckon that is what I realised today, that my worries are all imagined and only exist in my mind. I only ought to make my life lighter and put this necessary evil of a job into its place. I ought to put it into its bounds before it begins to bleed into the rest, before it begins to bleed into the other parts, before it destroys any ounce and semblance of peace I have come to know. I must sit here and finish this glass of wine and hope for more days like this one than days of grandiose achievement. There will be many of those. There will be time for those. I must not rush. No, I must not rush at all. Time for another glass. And then, she will be home. And then, it will all be fine. The simple life I aim for, I must begin creating it for myself. And I think I will begin now—in this well-rounded, fruity moment full of wild swirls of fruit. At least, that is what it says on the bottle.

Marginalia #24

A colloid of chamomile floats about in the mug as I sit and deliberate over the parts of this day that fit the bill of these scribbles I have begun to write around my days, and I cannot find much for it has been as befuddling a day as it could be, like rain with the sun and other improbabilities. But most days have the quality of being redeemed towards their end. Not because they did not happen, not because their impact is softened, but only because hope is forgiving, and somewhat relentless. I stare at the golden tea in the cup before I take the last sip and decide to shut the lamp, which, in perfect choreography, is gold too. I do this, and I put my chips on tomorrow. I wager it may be better, knowing all too well that it may very well be worse. And I hope, with all my heart, I claim the pot. And that is perhaps why I set an alarm. And that is perhaps why I kiss her good night. And that is perhaps why I did the dishes. I reckon tomorrow may bring what it does, but it could be good; it could be grand, and I must be ready. We are perpetually gambling with our fates, and our days are the prize, and I have won more than I have lost. I brush today off as I remind myself of this. I look at her reading, and I remind myself of this. I keep the lights on for a little bit longer. 

Yes, I have won on most days. I have won on the important ones.

Bookmark #948

This piece is from an archive of sorts, written but forgotten in a folder somewhere I would not have looked had I not been inspired to write again, and longer than a day. That is the thing about inspiration, I wager: it strikes once, but often it does not hold, and then, it strikes again. Here is the lost bookmark, the last of its kind, the end of a proverbial era.


I have deliberated about it over and over—sitting alone at a chic, intentionally rustic cafe in a beachside town halfway around the world, on aeroplanes and at airports, in hotels and conference halls, in places both regular and absurd, in days I thought I would never have, the ones I wish I never woke up to live through, and all of the grey, pointless, colourless ones in between. I have thought about, to begin again, and to do it right, to “reinvent” as they call it, and after laying all that to waste, after idle days of pointless movement, unnecessary activity and rushing and rushing to reach nowhere, I have found that I am forever bound to be a creature of habit, and that there is little else I can do but write, and there will be little variety in it, and if there is any, it will be like how you have a million different flavours of coffee in the same mug over the years.

And what I mean by all of that is that I am back where I began, and the books stay unwritten, not for long, I hope. But until then, I must write, and if I must write, I must start where I know, and this is all I know, for better or worse. And so, this begins again, anew, like a weed that grows in your garden perpetually, in the same spot, in the same way, and each time you pull it out and think you have bested it, it returns in all its fervour and glory, until one day you decide it may as well be considered a part of the garden. That is what these vignettes have become for my life. And that is how I shall look at it for the near future.

Perhaps that is what we can say about it all and move along. Perhaps we can be on our merry way and carry on like nothing has changed. “There were words here once, and there are words here now, and let us leave the in-between to the in-between, and let us pretend like old friends often do that not an ounce of anything has changed.” Perhaps you could look at it like this, and I could look at it like that, too, and perhaps this error can be swiped by the simple act of putting one’s head in the ground—like most things in life.

Marginalia #23

Frankly, I do not feel like putting words down today. The whole day has been topsy-turvy and turned on its head, and it has been scrambled worse than a batch of eggs that were supposed to be an omelette but broke down the middle. It has not been kind in that the turgidity has spilt well into midnight, and now, I must furnish something to call it a day quite like an assignment written too late and possibly with half a heart. But I am the only one who carries the blame, and I am the one who has been in disarray since I awoke. For there could have been pockets of peace, and I squandered them like we often squander minutes that turn into wasted hours, which in turn become wasted days. Then, we sit to complain over a pitcher of beer or a bottle of whisky. “Where did the time go?” We ask. “Where indeed?” A stranger answers. No one knows. Everyone knows. And that is how, I reckon, this day has been. It could have been different had things happened differently; days are often only as simple and as complicated as that sentence. And now, I must sit and assume all is right now that it is time to shut my eyes, and I hope, ever so earnestly, that tomorrow will be different. Or at least, that things will go differently, that I will touch the hours softly and not break them through the middle and cause the yolk to spill into everything else. But at least there is tomorrow. Yes, at least that is true.

Marginalia #22

It is a Sunday morning. I believe the sun woke up right on time today, for the light outside is unrelenting and has managed to not only sneak past but break through all barricades of physics. And in its path and wake, it has illuminated every still object in this flat, and it all looks so wonderful in its motionless visage. There is no movement around except my hands that move on this keyboard. Everything is—like it were some painting—absolutely stock-still. And this has stirred in me a soft realisation for this present moment. I will not be writing this piece ever again. This precise falling of light will never occur again. Things and objects here will never be as they are today. The slippers near the door will not be in disarray in the precise way that they are right now. The package that must be returned will be returned and never sit there on the shelf. The leaflet from last night’s opera might end up in the bin at some point. The wreath on the door from Christmas would be pulled down just in time for spring. All of this will move, and all of this will change, but the way I see it all right now will remain etched in some unaccessible corner of my memory with the many different images I can no longer remember. But it will inform something. It will inform the words I write from that point on, and if it does not, it has done something still; it has informed the words I write right now.

Marginalia #21

I sit watching an opera in a somewhat regal auditorium, and for a moment, I am lost in a murmuration of memory, taking me back to when I was a boy in school. And it occurs to me just then: what a marvellous education I have had! This is not to say that it was filled with lessons about baroque operas or that I could tell the Gymnopédies apart or knew words that were long and only got longer as I aged, no. Instead, I was given, more or less, the right tools in the toolbox of my mind. And sure, there has been a lot of independent education of my own self that I carried on over the years, what with books and courses, and conversations most of all, but I reckon even all that was just a response to my years as a boy. And even in the years of my rebellion—of which there were several toward the end of my time at school—I simply was set onto a path of greater discovery. One that, I believe, would not be possible had I not been disconcerted with what was present. The limitations were catalysts, and all that was good, I still carry with me. And I reckon I shall give credit where credit is due, and remember those years not with the ill will of a rebel any longer but with reverence for even rebellion, I reckon, must be an idea I heard there in the walls of the classroom, or outside, from the few teachers who cared enough to be remembered today, in stray thought, or otherwise.

Marginalia #20

We must believe in the little subliminal fictions that we create along the way, or none of it makes sense. The first cup of coffee is worth a thousand, and for good reason—there is a myth associated with it, and day after day, the myth is regurgitated without words, and day after day, its effect is emboldened. And when you build a life as I have, around many such stories carved out of my own hands instead of handed down by a mother or some wayward priest, you are protective of it like a bear for its cub. This life is my own, and not because I am living it but because I have made it, and I have done this brick by brick, myth by myth, and all of it is an archive, and all of it is an orchestra, meticulous in its arrangement, precise in its sound.

Intuitiveness, attentiveness, consciousness are mere words people learn at a seminar. I reckon it is not until you have sat for hours and looked at the sun and thought of why it is that your heart sinks even when the world is burned by hope and warmth, repeatedly, until epiphany strikes and you know why, and that the answer does not matter for they seldom do; only that you have found one, and now, you must place the rug a certain way so that when the first light strikes, it touches the corner with the grasp of a toddler, and it refuses to let go, and it shines brightest in the room, and so, when you enter, you see it, and all is well in the world, and when you sleep the next time around, you sleep on time; you look forward to entering the room again.

Marginalia #19

In little instances of mild discomfort, I am comfortable. Only in the middle of my chores do I feel truly alive. I believe there is something to say about the normalcy of my life. I could wager it will be said when I am no longer living it. Because whatever I, myself, can say is and will sound conceited. And thus, I shall wait for when I am here no longer. Not to say there is any sense of urgency in this, and I have not been one known to be impatient. It simply is a hopeful assertion in some sense. Sitting here, thinking about the day that is ordinary in all of its measures—even the pitfalls and potholes—and writing these words brings me some sort of soft solace. And now, it occurs to me that I have dampened the mood. No, I do not mean to sound ungrateful for the life I have or eager for my demise. I reckon my saying this suggests the opposite. It suggests I am at peace with where it all is, where the dominos have fallen, and where the days are heading. Things have occurred in this life, and sometimes, this life has happened to things. There is a galore of memories, of great emotion, of fantastic tragedies and glorious triumphs, and there shall be more; there shall be more tomorrow, intervaled only by hours of nothingness, of dishes, and of vacuuming and laundry and dusting, hours and hours of it.

Marginalia #18

In the rush hour of the morning, when everyone has a place to go, I find myself fortunate enough to go to a cafe and solve a crossword. At least, before working, and before all of the pollution and noise of the day-to-day funnels into my mind. I believe we must always strive to get the important things done before we realise we are citizens of the world. I try to write before the world wakes for this reason. And if I find that I was unable to do it before I became a part of the global workforce, smilingly minting money to pay bills and taxes we never asked for, I try to write at night when all of my conscience is numb to the proceedings of the day. Either way, in the magical hour, marred only by the honking and the traffic, I make my way—on foot, of course—and reach to order a scrumptious coffee and breakfast. And then, I sit and solve the crossword.

And then, the bustle begins to rile and rise slowly as people enter the cafe, late for some meeting, or a meal, or just to get a takeaway for wherever they go next. And now, an hour has passed. I am sated in all of my appetites. The people around sit embroiled in a cacophony of numbers and figures, of plans and businesses and decisions, and politics—things that do not seem to agree with my inner nature and are sieved out before they even reach the innermost corners of my mind. Still, I must join the fold, too, now, only to meet myself again at night. The day will pass as the day does, and I have no complaints. I have written, and I have solved my crossword.