Marginalia #40

It has been my experience that if I cannot be happy for longer—perhaps, owing to the perils and pressures of modern employment—an hour would do. And if an hour is too long, a minute would suffice. I cannot do this always, and, often, I miss the mark, but sometimes, when I realise it just in time, everything changes. It occurs to me that out of all things that are important in this world, the basic tenets to a good life are ever-unchanging. Love and levity are all that a good life requires. And I am blessed that I have an abundance of both, that the dearth is over, that the fallow has passed. In this burgeoning garden of all things that are wonderful, I get to laugh with my nephew and kiss the love of my life and sit with my parents to talk about the world, often, leading to absurd disagreement, but such is the nature of these things. And yet, I would not give it away for anything. I will protect it. I recently looked at a safe with a password and a keycard and a complex, seven-mechanism lock for a drawer in the bedroom. It is a new house, and while we do not have valuables when we first move in, the instinct always urges: what if, one day, there is something you want to protect? There is, but a drawer cannot fit it. There is hope—for what might happen, for the little good that catches us by surprise, for the fact that most people, left to their devices, make the right choice, that people are, for the most part, good. Today was a day that drained all of me out of myself, and I must get a good night’s sleep to catch my wits about me. But even today, I had a minute to stop and tell myself, “What a wonderful life this is.” I did this in the evening. Then, I watched a little TV and killed a little bit of time, and all was right in the world.

Marginalia #39

I sit here on the same desk, albeit in a different home, and I realise that this is the fourth February I have sat and written words from this chair, precisely in this manner: a cup of herbal tea, its aroma and steam wafting in and about the room, the lights dim and warm, almost hugging me in the wintry blanket outside the glass door to the balcony, music moving between tracks like a train with no destination. The realisation puts a smile on my face, as it ought to. For better or worse, for the most part, I have written. There have been tribulations and distractions, and there have been several moments when I have felt all this to be moot, but I reckon I tend to return over and over, and I believe that tells me that some part of me must really want to torture myself to spit words on a screen. I have done this in the cold of winter, and I have done this in the vivid colour of spring, and I have done it in most days in between. And with all these pieces, patterns have emerged, as they should.

The most distinct detail in my body of work—if I may have the audacity to call it that—is a lack of proper nouns. No specifics, no names, no detail that may distract from the essence. Earlier, this was an oddity at best, but slowly it evolved to mean more. Now, I believe that to capture a moment, we must strip away all that puts it in the conscious stream of events we experience. Must we know the excruciating detail of someone’s heartbreak to know how they are hurting? Does the sun really glow differently on a Wednesday afternoon? Of course, those of scientific minds would jump and say, “Aha! It does,” and being one so myself to a degree, I agree with their claim. But the essence does not change. That we all fall, often due to gravity but sometimes with a lapse in judgement, remains true no matter who you are; it remains true no matter where you are, and most importantly, it remains true no matter when you are. I believe that is what I wanted to achieve when I realised and reiterated this lack of detail consciously, when I pruned every word that suggested this life that I live could not be your own, the places I visit could not be down the street, and the thoughts I have could not occur to you. I believe I have done that to an extent.

The greatest piece—the one that I aspire to write—is one that has no identity of its own. None of this is mine. I give it away freely. These words belong as much to me as they do to anyone else who reads them. This was never an exercise in vanity.

Marginalia #38

My eyelids are heavier than the weight of all my responsibility, and yet, this day appears to be unlived. It is not for the lack of action, for there were things to do, and I did them with the best of my ability. Now, it is almost two in the night, and the dull light from the lamp falls on my face, and I have no plaque to show, no award to lift. There was not a single minute to rest, and the little ten-minute respite I decided to take in the cab ride to meet friends—who, for all their eagerness to convene over food, talked about nothing of significance—was thwarted by an early arrival and the driver asking me, over the sound of wonderful music, whether I wanted to get off here or on the opposite side of the road. Dinner was two hours down the drain, where the food was as okay as food can be, and there was no shortage of things to discuss, too, but every interesting, intriguing topic flew on and off the table with the haste of a mosquito in a crowded room.

Out of all my pet peeves with those around, this is the largest one: how a good prompt, a good topic, is shrugged out of a setting without realising how hard they are to come by, and not only shrugged, but replaced with drab, flavourless humour or the sheer incompetence and inability to have an opinion. It baffles me to see the weightlessness of those around me: they have no personal philosophy, no opinion of their own, no reason for them to stand their ground, and so, with shaky foundations, they slide about their days into yet another year. There is but no error in their ways, for error comes from the conviction to follow through with what you believe in, not in regurgitating beliefs—eliminate the latter, the former never occurs. I envy them. Of course, I do! I make mistakes—often. It is all I have ever done, but they are the well-adjusted. They tell people like me how the world works over and over while I, having failed a million times to merely sway it in a different rhythm, nod reluctantly like a child who has just flunked another test.

This is what makes me tired; this is what made me tired today: the attempt to live a real life with my feet planted in the ground for things that ring true to my ears. And yet, I am up at night, wasting these words, and all of them, I suppose, sleep peacefully. Who gains from this? Who wins? No one does. The world, in its intricate tapestry of how things connect to one another, loses. Those like me? Well, we simply lose a little sleep. Then, we wake up and try again.

An Interlude

It has been two days since I successfully managed to finish a piece, and the little I did write is now in the trash, rotting along with a few teabags, shavings and leaves off some strawberries and a banana peel. To be honest, it sits alongside my inclination to write itself. The pull of life works like this, especially for these words. You can push back onto it, and as long as you manage to get the words in, it rescinds. But if you fail to finish things, if you are too exhausted or unbothered or, god forbid, too busy, the well starts to dry up. Well, today I feel it is parched, and this is not a piece. This is just a vapid description of how I feel, and I feel uninspired. The urgencies of work, of other people, of the big and the small seem to always win in the end. They always have the upper hand. And sure, you can blame yourself for sleeping in for longer than ideal, for idling and wasting time when you could, in fact, be writing. And that is all you can do. Still, I reckon the furniture will not assemble itself, and the friends will all want favours now that you are here in the same city. Funny how our days are never constant. Perhaps, I ought to wait till I am eighty to begin. It is inane to write about a life that is still happening. It is also absurdly, incomprehensibly hard. And it is, if I may say so myself, having done it as long as I have, (unsurprisingly) lonely.

Marginalia #37

The bell from the church nearby rings once. Then, it rings again. Now, I could be sure a minute must have passed, but I look at the time, and an hour has gone by. What a tragically slow morning I find myself in. To motivate myself to do anything has been onerous and feels like lifting the heaviest, the largest weight in the world. And when I finally manage to sit down to write, the phone begs for my attention again. But it is no bother. There are people in my life. If they have something to say, I must listen to it: the annoyance of a friend’s redundant humour, the question they already know the answer to, and the advice they will never be bothered to follow; the long-drawn, factual, continual conversations with my brother about all that exists under the yellow sun, despite him never asking whether I want to engage on a topic or if it all matters to me; the sweet nothings of the morning in the most mellifluous voice from the love of my life. It is easy to move about life like you have something important to do, but what we have to do is seldom important. The important is in between. I know this like the back of my hand. But then, the demands of the world never cease, and it occurs to me once again that to be a living person is the most difficult task of all. And when I say “living”, I mean it in the most alive, most true sense of the word. Several people have jobs, have routines in the morning, have oatmeal off the breakfast menu at a chain brand cafe in a rush, but I would never want to be them. They are not living. But I must remind myself of this time and again, and over and over, and often between the chime of the bells atop the church in my beeline. To live is to remind yourself consistently of what it means to be living, and then do it again just for good measure. We are frighteningly foolish, forgetful creatures. We could convince ourselves a meeting at work is more important than laughter if left to our own devices.

We Don’t Talk About Ladybirds

I have kept the child inside me alive. Not only alive, I have kept him thriving. Perhaps, it is not apparent in my disposition, my mannerisms, and especially my words, but a ladybird entered the flat yesterday, and I must have spent thirty minutes, spread over intervals, to check up on it, to look at it in giddiness, to be happy that something like it exists in the world. It left at some point when I slid open the balcony door. It wasn’t in the spot where it had spent most of the afternoon.

I remember when we used to be children; this was a great deal. It was of utmost importance. We would run to our parents, to each other, to share the auspicious news. Sometimes, we would softly let it crawl over our fingers and onto our palms. “Look,” we would gleam with ardent eyes, “a ladybird!” We would be sure to tell this to our friends at school. Those were simpler times.

But people have not done justice to the children they once were. I met a friend for coffee the other day, and we talked about the big things. Soon I will meet another for drinks, and we will merely talk about the big things still. We will talk about stocks and bonds, of how the foreign investment has curtailed, like our seemingly receding hairlines over the years, of how the air is full of dust but the new apartment complex down the main street has this chic, almost regal appearance, of how we would want to live there, of how we never can. We will talk about who is marrying who, and who cheated on whom, and who had a side piece ready before they got out of their current relationship. We will talk about our pains and perils, the bitch that are monthly installments, the bosses and the managers and the politics at work. We will even touch upon how difficult the chores are but how necessary, and we will talk about what books we read but not say it was exhilarating but discuss the themes and the intricacies of the narrative instead. We may discuss and even argue over our views about public infrastructure. I will say there is no focus on making this city walkable again. They will tell me to get a car. We will talk about all of this and so much more.

We will not talk about ladybirds.

Marginalia #36

“I could not be more in love,” I claim with the steadfastness of an inebriated, boasting soldier with his leg on a stool in the bar, but the bravado is short-lived, for I wake up in the morning and find that I can, after all, be a little more in love today. Then, the next day rolls over, and the sky is a perfect blue and clear like the conscience of a child, and the hills in the distance are vivid like oil painstakingly smudged on canvas, and I realise I am a little more in love still. And this happens day after day, and I realise I ought to stop. It does not behove me to tell myself things that are not—that cannot be—true.

I can be more in love. I can always be more in love with you. I will be when I wake up tomorrow. And I will spend all my days losing face over this and fading into you. All my achievements—present or those waiting—wane in front of you telling me about your day. It is the greatest thing I do, for it is the greatest privilege to be the one you tell things to. And to think I was once afraid of what might happen, to think there were valleys of differences between us, how we have bridged it all, how we have overcome it all, and how we have walked over thin air to meet for a kiss. To watch you move about the house is but better than any film, any opera I will ever watch, and to watch an opera with you is, in turn, all the more magical. Days of quiet idleness, days of buzzing busyness, and all in between become better when you grace me with a smile. I would go to war with the world over a single slight on you, and, which is more, I would go to war with myself if needed, too.

I reckon I could go on and on with this and never stop, and all of what I will say will be true, and all of it will be earnest, but what is the point in making a fool of myself any longer? I am yours—heart, body and soul. That is the long and the short of it. And I will go to sleep, and I will wake up. And when I do, I will be yours a little bit more, too. And this is how it will be, forevermore.

Marginalia #35

In the evening, after my brave battle with the ants that lasted more or less the entire morning, after the proceedings of a general workday in the afternoon, after the rushed care of my body and mind, I walked to get a cup of coffee before heading on into the night. I walked for fifteen minutes in the cold of March; the patio cafe, my regular haunt—and it is a haunt, for I simply sit there with a cup of coffee, thinking, like a ghost who may as well not be there on the white-enamel painted chair—was closed. A rare sight! But such is life. Rare things do happen. And there will always be tomorrow. And if it remains closed then, too, well, there are always more directions to take a fifteen-minute detour. Much disappointment in life is in a hurry; it is fleeting in the most literal sense of the word, like a bird which flies through a window. We cage it in, we shut the window, we prevent it from flying away. And I believe I talk high and mighty today, but I have done this enough to warrant compunction as I put this down. But much wisdom in life waits. It sits right across from us, day after day, for us to take note of it. It is us who assume it to be in the invisibility of the scenery. Well, it seems, today, I have taken note.

Marginalia #34

I walk to the desk to revisit a half-written piece, and it is written partially because I slept while writing it, reminding myself once again that working from the bed, no matter what kind of work it is, comes with a sense of indolence. I must avoid it today. And since I have forced myself to get out of bed on time—with no merit because the afternoon is here and I have accomplished sparingly little—I shall try to avoid this before it becomes a habit. All writing must happen when the light is still out. At least in cities and towns that are colder. And I shall remember this for my entire life. This is how it has to be if I have to get these words in and some pages filled. To get in bed with any intention other than that of sleep is playing right into the trap of fate. Before you know it, you open your eyes to the soft, beige light filtered through the curtains, and the words remain incomplete and even unwritten at times. But now, I shall complete it all for writing—the act of putting words down—and writing—the act of taking a thought and turning it into meaning—are two separate activities and can happen asynchronously. But the latter must happen first. The act of jotting it all down can wait. At least, this is how I have always looked at it. And perhaps this is my excuse for the days and nights I spend without writing, that it is the former, that it is merely pushing on buttons that remains, that the work is mostly done.

Marginalia #33

Coming back to the hometown has caused a stir in my willingness to do things, as I was doing them just a day before I arrived. Perhaps, owing to the fact that the weather is not helpful in the least. It is cold and dry and drab, and no matter how many clothes you stack onto your person, there is no respite towards the end of the day. You realise a breeze caught you at some point—and often you can place it with the accuracy of an astute detective for when it must have happened and how—and now you must lay and rest. Most of the last few days have been either this or worrying about the new apartment, things that remain undone, trinkets and furniture that remain unbought, deliveries that are pending, and cleaning that never ends. There was also an invasion by some ants practising the most subtle guerrilla warfare, but I reckon that was a minor episode and was thwarted by sealing the hole they had been using as an inlet into enemy territory. But yes, it has been different and distracting enough that I find myself in a fix yet again. And this is where my want for constance, for rigidity, comes into the picture again. Oh, how I would love a life with little change—the same home, the same places to visit, the same days to live. To many, it might sound like imprisonment, but to me, that is true freedom. To be unbothered by the other frivolities of the day and life, to be left alone to think, to read, to not have to worry about invitations, to have the stubbornness take such a hold on you that you simply reply “no” to all mail and messages, and not be bothered to give a reason. And when asked for one, you simply tell them that you are too busy, not lying, of course, but playing coy with the interpretation that busyness might look different for all of us, and for some of us, it is the blank nothingness to simply be.

Marginalia #32

February. It did not occur to me that it was here until I met a friend back in the hometown and took a walk, crossing streets one after the other as the dry winter air brushed my face. How time passes, how it has changed so much, and yet, I cross through them in the exact same manner as I have for years. A sort of afterimage follows me in my head; I trace its steps; it traces mine. My entire life happens all at once, and I realise that this town has many such phantasms of myself, and they are only visible to me, only recognised by me. Yet, they are there, for I run into them time and again. Many of them come from Februaries left far behind in the river of time, floating along with the debris of memory.

I crossed a street that got me closer to home, to the neighbourhood I grew up in. And I walked over the painted street—yellow and black stripes—and I wondered when they changed it. I remember the yellow used to be white. Perhaps someone ran out of white, and then the others never questioned it. But this is how things change. I heard a story once about a person who painted a pier wrong, and the people just carried it into tradition, making it the only yellow pier in the country. I do not remember the specifics. I thought about it as I glided over the empty street. And then, the breeze blew by and kissed me into nostalgia. I remembered suddenly that I was a child once and that this street was out of bounds and that getting here was once an achievement, a milestone of sorts. I wonder what month that was. Perhaps, it was February. We lose track of time so quickly.

Marginalia #31

I enter the apartment and lay my suitcases down with a thud. It echoes, reminding me yet again that a lot of work must be done before this feels like a home. And then, I remind myself, it always takes work. I have done it before, I can do it again; the good thing is only, I will only have to do it one last time. This is home, for all intents and purposes, and there could not be a better one for when I stand by the window, the entire city appears to be right in my reach, and when I say the entire city, I mean the trees, the hills, the many leftover patches of green and brown that, I hope, shall not leave our collective sights. But, we can only hope. For every new apartment, like the one I live in now, a little bit of the city goes out, and it is nothing but irony to wish for one while wanting the other, and, I reckon, somewhat selfish and flawed. But then again, we are flawed creatures, are we not? I walk around the apartment. A hushed echo trails my steps and follows me furtively. That no one lives here is apparent within the first few seconds. That no one has cooked here, or gotten dressed on a day that continued to slip through their fingers, that it has not seen laughter or pain or extended days of nothingness yet, that no wine has stained the couch accidentally, that life has not happened here yet. But it will. It is, like all things, just a matter of time.

Marginalia #30

There are as many people in the world as there are minutes in the time the sun’s light reaches them, and there are as many agendas in the world as there are people. And I would assume I too would have one, if looked from the outside in, but from inside out, I believe my agenda, if there was any, is about as literal as the word could be in that I have a few things on it today: sipping coffee, doing my crossword, packing my suitcase, working and writing, some other day-to-day oddities, a little meditation if time allows. And my hope from myself, from this day, is that all of that is done and dusted before the night sets in. My life and, by extension, I, are simple that way. The rest may be little displays of annoyance, such as wanting no vehicles parked boldly and with abject stupidity on the sidewalk so I can use it for its intended purpose, but that, and other little things like those, are but provocations and responses to the world. Often, I keep a tight lip and keep it to myself, and they spill out only in the presence of those I trust would not keep it in some sort of tally or record either because there is some sort of mutual respect and love between us, or when I am certain they could not keep a tally or record of the greatest truths even if they wished! But all that said, I float aimlessly. I do not want to spin the world a certain way. I want to go wherever it takes me. I am sure people have their reasons, and I am sure all of them are justified, and I am sure people far more educated, far more capable than me are put in charge of the world or in charge of where it will go next or where it ought to go next. I trust them to do their job well so long as they do not bother me while I sip my coffee quietly in the corner. I was never of this world, only from it. If the world itself holds no candle to me and my attention, then how, I wonder, do religion or country or other arbitrary taxonomies fare? I stand for nothing. I simply stand to take the sun in. I go about yet another day.

Marginalia #29

Why did I bother beginning to write again? I asked myself this last week, and my simple answer was that it is necessary. It is necessary, perhaps, more than food, for as per my estimate, I only had about fifteen hundred calories to eat today, and that is far fewer than what is deemed necessary by a large margin. It is, therefore, more necessary for me to write than many other things. Spilling these words here, in a jiffy sometimes, and spanning hours on others, is what brings me back to being a person. My putting words down makes me somewhat tolerable to others around me, and I often think—for instance, when caught in the middle of an argument about taxes with a friend I have not talked to in a while, enough to doubt my usage of the word ‘friend’ and think whether I should have used ‘acquaintance’ instead—whether my words and how I carried my position would have been softened if I had written for the day by then. Naturally, I don’t have any answer to this, for we only live through every moment once. But I write so I do not think over it later. I write so I can vomit all of this out, this catharsis of chaos spat onto a page, so it is somewhat easier for me to be in a room with others, so it is somewhat easier for me to enquire about a stranger’s day, and not for the formality of small talk but to know genuinely how they fared. I believe it is all there is to it. Why did I bother beginning to write again? To not become a bother; that is all.

Unbound #1: Industry

Why do anything except for the natural curiosity that led you to it? We live in a world where wanting to smell a rose must, in turn, lead to something. That it leads to something is irrelevant and often just luck; that anything ever leads to something happens all on its own. We must focus on smelling the rose, but first, we must focus on stopping to do it.

Lately, I have sat in a cafe where some seats are labelled to not be worked from, to sit and merely enjoy the food, the conversation; to do it, perhaps, to just do it. But every day when the crowd hits the tipping point, those tables are occupied en masse by those who have an important meeting to attend. There is an air of soft despondence when this happens, for all the so-called work is simply a struggle to meet the whims of a manager or some deadline that does not truly exist but was made to churn out as much life as possible from a person. And now, I often eavesdrop on the things that they say, as disheartening as it may be, and it is, indeed, disheartening. Entire lives wasted by the day, pasta gone cold, and coffee not savoured. All for the constant nag of corporate’s newest plans, their greatest pivots, their radical vision, and all of it, in turn, is so uninspiring and impotent. The need to work, the need to put food on the table, is not washed over me, no. I understand, perhaps better than many, if not most, the trouble we must go through to do it. But then, if the food is on the table, it might also merit enjoying it properly before we go back to work; it might make sense to sip the coffee before it gets cold. And to work, to work for hours, I reckon, to learn and keep learning, but to remember to do it without the added known consequence of it. To meet others simply to meet others. To take a walk simply to take a walk. To live simply to live. The burden of consequence is not ours to bear. It was thrust onto us by polluted books and misinterpreted industry—a word whose meaning has been lost to time, to colloquialism. What simply meant hard work now becomes a spokesperson for everything that is absurd. Perhaps that is what happens when words are claimed by trifolds handed on days of orientation. Their true meaning falls behind.

“This is how it happens in this industry.”
“What industry?”

Marginalia #28

I lie in the bed to sit and write, but all that comes to my mind are small, rebellious distractions or yawns, large and small. At first, this bothers me and annoys me a little: that I have little to say. But then, I think of how generous the day has been to me, that I feel the soreness in my legs, that I feel the heaviness in my eyes, that my mind has wandered more times than I would like to admit since I began writing this passage are all but proof that I was alive today. I lie here, fretting over the severe lack of profundity in my words today—or lately. But I have been diagnosed with a case of simpler days and, I would perhaps dare to say it, contentment. There is no cure. I am now forever infected. What shall I do, I wonder? Not much, not much indeed. I shall hope these days stretch like the spanning steppes I saw on my journey to and fro last year, going between cities I may never visit again—sprawling and unending. I hope, with all my heart, that this is the case. I believe I dare when I say this in front of others at the off chance of getting ridiculed, have myself painted into a caricature, pronounced the village idiot, but I say it anyway, that I would prefer to do the dishes and the infinite chores in life than anything else. That if it were up to me, I would wake up and eat and live like a person was meant to live, and sleep early and see the sun’s first light in the morning the next day. And what do I suggest when I say living? To not believe in the many carrots they toss in front of us so we keep moving. Instead, make things for the betterment of all, and if all is too large a group, then for those right next to us. And pay no matter to what we make: it could be a painting or even a chair. But to do it with the aliveness of being a person, and not simply for a profit or to serve the needs of some mogul we will never meet, or chasing a bottom line for others, put simply. And I think that doing the dishes and the other chores that lead or follow are the closest to this dream; I reckon that is why I enjoy them as much as I do. It is the only time I am useful unconditionally. And if it is not for anyone else, then, at least, for myself. Now, that holds merit. At least, I would think and say so.

Perfectly Round Eggs On A Saturday Afternoon

Saturday. I shut my alarm off and wait for a little while. You tell me in your beautiful grogginess that it is time to wake up. I tell you I will be up in a few minutes. This is untrue. I turn and snuggle into your arms. There is no protest; you hold me instead. I sleep for another half an hour until I do get up. I let you sleep for a little bit, but then you come into the room and exclaim, “You’re sitting here!? I thought you were in the washroom.” “I got up and came here.” I say while taking a sip of my coffee, facing a partially solved crossword, to which you say, “I had to use it! I was waiting!”. “Well, use it, then come back to me.”

“I love you,” I smile.

“I love you, too.”

Then, you unfurl the mat in the hall and stretch a little in your gym clothes right in front of me. I take an extra ten minutes solving the crossword. And then, you go out for chores. I order the groceries in. I nap while trying to meditate—for a few minutes until I realise it is time to begin the day. I get ready. You get back, having picked the groceries up from the gate. Then, you get ready, too.

Then, we waste a little bit of time waiting for laundry to finish its buzzing and humming. I take care of the bills—the rent, the credit card, the savings, and the rest—and I plan a little about the rest of the day. Then, the washing machine beeps, and I spread the sheets and covers on the drying stand. I come back in, walk to the kitchen, and unpack the new mould to fry some eggs. I brush it with oil and begin. You stand beside me, watching intently like a curious child. The pan sizzles with each one I drop into the round ring on the pan. I cook them one at a time; I cook two for you. Then, I cook two for me, too.

“What is left to do today?” You ask me, as we lay in bed.

“Nothing. We have the whole day to us.”

“Will you go to the lake with me?”

“Of course, we’ll walk around it.”

“I love you.”

“I love you, too.”

Marginalia #27

The steam from the hot coffee, which had been sitting, waiting for me in the pot when I woke up, escaped out the window as if it were jailed for an eternity, saw a chance for freedom, and scurried away. But then, it makes me think if being imprisoned for a time as long as that would snatch the want of freedom itself. Either way, the sip was warm and delicious, a hug to begin a wonderful day, metaphors aside. And then, I began the day, which in this humble life plainly means that I sat comfortably on the couch, both my legs on the table, stretched in remarkable comfort, doing nothing. Then, I sat for a little while longer and kept sipping in intervals. Then, some birds cooed outside, and I realised time was going by, so I got up and got to writing.

It surprises me that up until a few days ago, I was wound like a spring in a convoluted contraption, and it would have eaten me alive this year again had I let things be as they were and not made a decision. The decision, of course, was to not pursue grandiose achievement and instead sit and write and to protect my time, to not be running across halls of strange hotels with a lanyard bumbling on my chest, to not be stuck at airport after airport, to not be caught in the margins of error of systems of weather and people alike, to not recite elevator pitches about things I did not make, and to not rush—at all. And it makes me think once again about the furtive steam that escaped through the window. And I thought about how it might be that the want for freedom is more important than the act of escaping, that I must protect the want, that the escaping will happen of its own volition, so long as the want remains.

Marginalia #26

After a long day of toil and work, and a little bit of wastefulness, we lie in bed and laugh at nothing. The moment turns into a battle of who can tickle whom, and I think, right in that moment, of how much love there is in this life. Then, terrified, I suggest a pact to end today’s battle—a ceasefire. Hands are shook, cementing it, and very carefully I get up and begin writing. She reads a book and takes a peek now and then to check if I am done. She will be the first to read these words. And now, I feel clever for this, and I reckon, somewhat proud of the meta nature of this piece. Laughing on the inside still, I give myself some credit and smile a little. Then, I realise that the melatonin strip has begun to work its magic, and I blink my eyes twice to keep the cadence of these words up. I believe I live through the day for this, so I can spend it laughing with her. Sure, we have our share of silent nights for reasons as many as there are apartments in this city. But tonight is different. Tonight is a night of playfulness, of levity. Levity. There is a word I have not used in a while now. How frantically I pursued it once. And look at this day now; look at this life now.

It has been a day of plenitude; there was an ample supply of everything. I am fortunate for days like these. I am no stranger to days that are only one colour. But now, despite my preference for certain shades, and I admit the jokes my friends make over my decor and wardrobe are not unfounded, I would much rather have all of them than one of them. And this includes joy. That is the thing about colour. It is not what it is but what is beside a shade that matters more. Well, colour me surprised then: what a beautiful picture this scene in front of my eyes makes!

Marginalia #25

Walked to the refrigerator to get some water but saw a bottle of wine and could not resist. Took it out and poured a glass and sat with some music playing. Kept the bottle near the couch in case there was a need to top it up. The sun seems to have tucked itself into a good night’s sleep already. The moment, I suppose, passed me by when my nose was deep into work that matters to a degree. Thought to take a stroll but gave up on the idea remembering how I slept for only a ballpark of about three hours. I ought to not be this stressed. I reckon that is what I realised today, that my worries are all imagined and only exist in my mind. I only ought to make my life lighter and put this necessary evil of a job into its place. I ought to put it into its bounds before it begins to bleed into the rest, before it begins to bleed into the other parts, before it destroys any ounce and semblance of peace I have come to know. I must sit here and finish this glass of wine and hope for more days like this one than days of grandiose achievement. There will be many of those. There will be time for those. I must not rush. No, I must not rush at all. Time for another glass. And then, she will be home. And then, it will all be fine. The simple life I aim for, I must begin creating it for myself. And I think I will begin now—in this well-rounded, fruity moment full of wild swirls of fruit. At least, that is what it says on the bottle.